Johann Sebastian Bach The heavens are telling of God in glory

Cantata for the 2nd Sunday afer Trinity / Reformation Day BWV 76, 1723

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The cantata "Die Himmel erzählen die Ehre Gottes" (The heavens are telling of God in glory) BWV 76 by Johann Sebastian Bach was written for the 2nd Sunday after Trinity, which fell on 6 June 1723 in the year it was first performed. This ambitious two-part work was the second cantata which Bach wrote after taking up the position of Kantor of St. Thomas’s in Leipzig. Bach’s aim was evidently to demonstrate a particularly wide range of musical forms in both the arias and the recitatives in this cantata. The opening chorus is based on verses 2 and 4 of Psalm 19, with verse 4 structured as a choral fugue. Both parts of the cantata end with a chorale movement with different verses from the Lutheran hymn "Es woll uns Gott genädig sein". The text refers loosely to the epistle reading from the 1st letter of St John, but deals more with general thoughts about the temptations of the Christian which can be overcome through love. Bach also performed the first part of the cantata later with minor revisions, but evidently no alterations to the text, on Reformation Day in Leipzig.
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  • Prima parte 1 Coro

    The heavens are telling of God in glory,
    and the firmament praises the work his hands have made.
    There is not a nation or language,
    which would not comprehend their message.

    2 Recitativo (Tenore)

    By this our God reveals his glory;
    his grace and nature do speak to everyone
    and all this, God for us has done.
    The heavens and the ocean,
    like mind and being, are in motion.
    The Lord bends down to us in mercy
    and calls in many varied ways:
    Come, come, take his supper, give him praise!

    3 Aria (Soprano)

    Nations, listen to God’s calling,
    come before his throne of grace!
    He is alpha and omega;
    to the only Son be praise!

    ...

  • 1. Teil 1 Coro

    Die Himmel erzählen die Ehre Gottes,
    und die Feste verkündiget seiner Hände Werk.
    Es ist keine Sprache noch Rede,
    da man nicht ihre Stimme höre.

    2 Recitativo (Tenore)

    So lässt sich Gott nicht unbezeuget!
    Natur und Gnade redt alle Menschen an:
    Dies alles hat ja Gott getan,
    dass sich die Himmel regen
    und Geist und Körper sich bewegen.
    Gott selbst hat sich zu euch geneiget
    und ruft durch Boten ohne Zahl:
    Auf, kommt zu meinem Liebesmahl!

    3 Aria (Soprano)

    Hört, ihr Völker, Gottes Stimme,
    eilt zu seinem Gnadenthron.
    Alle Dinge Grund und Ende
    ist sein eingeborner Sohn,

    ...

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Additional product information
  • Johann Sebastian Bach is one of the most important composers of Western music history. He came from a widely ramified musical dynasty, which produced numerous musicians and organists in the Thuringian-Saxon area.

    Bach vocal

    Ever since Carus-Verlag was founded in 1972, publishing the music of Johann Sebastian Bach has been a special focus for us. In the 2017 Reformation anniversary year we completed the Bach vocal project. Bach's complete sacred vocal works are now available in modern Urtext editions, together with performance material. A complete edition of all the full scores is also available in a high quality box set. Personal details
  • Paul Horn war ein deutscher Kirchenmusiker, Organist, Komponist und Musikwissenschaftler. Er studierte Kirchenmusik und Orgel an der Evangelischen Kirchenmusikschule Esslingen am Neckar bei Hans-Arnold Metzger und Musikwissenschaft, Theologie und Geschichte an der Universität Tübingen. Seine berufliche Laufbahn begann als Kantor an der Evangelischen Michaelskirche in Stuttgart-Degerloch. 1954 wurde er Kantor an der Evangelischen Stadtkirche Ravensburg, eine Position, die er bis zu seiner Pensionierung innehatte. Als Musikwissenschaftler arbeitete Horn bis ins hohe Alter eng mit Carus zusammen. So stammen zahlreiche Carus-Klavierauszüge aus seiner Feder. Personal details

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