Johannes Brahms: Vier Quartette - Sheet music | Carus-Verlag

Johannes Brahms Vier Quartette

op. 92, 1877

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Brahms always had a fine feeling for lyrical quality. His cycle Vier Quartette (Four Quartets) Op. 92 for voices and piano, setting four poems by Goethe, Daumer, Allmers, and Hebbel, demonstrates his musical skills in a particularly moving way. The cycle is about the romantic night atmosphere, about melancholy reflections on autumn, and secret noctural amorous adventures.

The Urtext edition from Carus comprises a conductor’s score in large format and a choral score, both underlaid with singing text in German and English, and the piano accompaniment. The cycle can be performed by solo voices and piano, or by four-part mixed choir and piano.

All songs are also available as separate editions (printed and digitally). 

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  • O charming night!
  • Late autumn
  • Evening song
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Full score, foreword in German and English Carus 9.401/00, ISMN 979-0-007-25186-4 24 pages, 23 x 32 cm, paperback
available
17,00 € / copy
Choral score Carus 9.401/05, ISMN 979-0-007-25328-8 20 pages, DIN A4, without cover Minimum order quantity: 20 copies
available
from 20 copies 5,95 € / copy
from 40 copies 5,36 € / copy
from 60 copies 4,76 € / copy
  • Johannes Brahms' study of musical tradition was of crucial importance to his output: he combined church modes, canonic technique, Baroque style and diction, Bach's counterpoint and Beethoven's thematic-motivic work with the harmonic and expressive achievements of Romanticism to form his own distinctive style. In this respect his choral songs and vocal quartets (e.g. the “Liebeslieder Waltzes” and “New Liebeslieder Waltzes”), often to folk song texts, in which a musical microcosm unfolds, are examplary. His “Deutsches Requiem”, available from Carus in several different versions, constitutes one of the most fascinating confessions of faith in the history of music. Personal details
  • As a musicologist, Dr. Uwe Wolf is particularly at home in the 17th and 18th centuries. The focus of his work ranges from the time of Monteverdi and Schütz to Bach and the generation of Bach's sons and pupils through to Viennese Classicism. He has been head of the editorial department at Carus-Verlag since October 2011. Prior to this, he worked in Bach research for over 20 years. Personal details

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