Wolfgang Amadeus Mozart: Litaniae Lauretanae in B und D - Sheet music | Carus-Verlag

Wolfgang Amadeus Mozart Litaniae Lauretanae in B und D

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  • 1. Kyrie

    Lord have mercy,
    Christ have mercy,
    Lord have mercy.
    Christ, hear us;
    Christ, hear us.
    Father in heaven, God,
    have mercy.
    Son, Savior of the world, God,
    have mercy.
    Holy Spirit, God,
    have mercy.
    Holy Trinity,
    one God,
    have mercy.

    2. Sancta Maria

    Holy Mary,
    pray for us.
    Holy mother of God,
    holy virgin of virgins,

    ...

  • 1. Kyrie

    Herr, erbarme dich,
    Christus, erbarme dich,
    Herr, erbarme dich!
    Christus, höre uns,
    Christus, erhöre uns!
    Vater im Himmel, Gott,
    erbarme dich unser!
    Sohn, Erlöser der Welt, Gott,
    erbarme dich unser!
    Heiliger Geist, Gott,
    erbarme dich unser!
    Heilige Dreieinigkeit,
    einziger Gott,
    erbarme dich unser.

    2. Sancta Maria

    Heilige Maria,
    bitte für uns,
    heilige Mutter Gottes,
    heilige Jungfrau der Jungfrauen,

    ...

  • 1. Kyrie

    Kyrie eleison.
    Christe eleison.
    Kyrie eleison.
    Christe audi nos,
    Christe exaudi nos.
    Pater de coelis Deus,
    miserere nobis.
    Fili Redemptor mundi Deus,
    miserere nobis.
    Spiritus Sancte Deus,
    miserere nobis.
    Sancta Trinitas,
    unus Deus,
    miserere nobis.

    2. Sancta Maria

    Sancta Maria,
    ora pro nobis.
    Sancta Dei genitrix,
    sancta Virgo virginum,

    ...

  • Vorwort der Ausgabe Carus 40.056

    Christine Martin

    Wolfgang Amadeus Mozart komponierte die Litaniae Lauretanae KV 195 1774 in Salzburg. Durch ihre große Besetzung, ihre beachtliche Ausdehnung und ihre virtuosen Solopartien gehören sie zu den „Litaniae solemnes“, die im Salzburger Dom zur Aufführung kamen. Die Gliederung des Textes und die Charakterisierung der einzelnen Sätze stehen ganz in der Tradition der süddeutschen Litaneivertonung, die Mozart nicht zuletzt durch seinen Vater Leopold vermittelt wurde. Drei der insgesamt fünf Sätze – Kyrie, Sancta Maria und Regina angelorum – folgen in ihrer Ausprägung von Haupt- und Seitensatz, Durchführung und Reprise der Sonatenhauptsatzform. Dabei wird das vom Text vorgegebene Alternieren von Anrufung und Bitte häufig der musikalischen Form untergeordnet. Dennoch führt die Aneinanderreihung der Anrufungen weniger zur sonatenartigen Exposition und Verarbeitung von zwei Themen als zu einer ständigen Variation gleichen thematischen Materials. Außerdem integriert

    ...

  • 1. Kyrie (Soli SATB e Coro SATB) Lord have mercy,
    Christ have mercy,
    Lord have mercy.
    Christ, hear us; Christ, hear us.
    Father in heaven, God have mercy.
    Son, Saviour of the world, have mercy.
    Holy Spirit, God, have mercy.
    Holy Trinity, one God, have mercy.

    2. Sancta Maria (Soli SATB e Coro SATB) Holy Mary, pray for us.
    Holy mother of God, holy virgin of virgins, pray for us.
    Mother of Christ, mother of divine grace,
    mother most pure, mother most dear,
    pray for us.
    Mother inviolate, mother undefiled,
    pray for us.
    Mother most amiable, mother most admirable,
    mother of our Creator, mother of our Saviour,

    ...

  • 1. Kyrie (Soli SATB e Coro SATB)

    Herr, erbarme dich,
    Christus, erbarme dich,
    Herr, erbarme dich!
    Christus, höre uns, Christus, erhöre uns!
    Vater im Himmel, Gott, erbarme dich unser!
    Sohn, Erlöser der Welt, Gott, erbarme dich unser!
    Heiliger Geist, Gott, erbarme dich unser!
    Heilige Dreieinigkeit, einziger Gott,
    erbarme dich unser!

    2. Sancta Maria (Soli SATB e Coro SATB)

    Heilige Maria, bitte für uns,
    heilige Mutter Gottes, heilige Jungfrau
    der Jungfrauen, bitte für uns.
    Mutter Christi, Mutter der göttlichen Gnade,
    reinste Mutter, liebste Mutter,
    bitte für uns.
    Unverletzbare Mutter, unbefleckte Mutter,
    bitte für uns.
    Liebenswerte Mutter, verehrungswürdige Mutter,

    ...

  • 1. Kyrie (Soli SATB e Coro SATB)

    Kyrie eleison.
    Christe eleison.
    Kyrie eleison.
    Christe audi nos. Christe exaudi nos.
    Pater de coelis Deus, miserere nobis.
    Fili Redemptor mundi Deus, miserere nobis.
    Spiritus Sancte Deus, miserere nobis.
    Sancta Trinitas, unus Deus,
    miserere nobis.

    2. Sancta Maria (Soli SATB e Coro SATB)

    Sancta Maria, ora pro nobis.
    Sancta Dei genitrix, sancta Virgo virginum,
    ora pro nobis.
    Mater Christi, mater divinae gratiae,
    mater purissima, mater castissima,
    ora pro nobis.
    Mater inviolata, mater intemerata,
    ora pro nobis.
    Mater amabilis, mater admirabilis,

    ...

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Study score Carus 40.056/07, ISMN 979-0-007-08743-2 88 pages, DIN A5, paperback
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  • As the son of the deputy Kapellmeister to the Salzburg Prince-Archbishop, Mozart was constantly surrounded by church music in his youth. On his travels Mozart became familiar with Italian church music, and later in Vienna he studied the works of Bach and Handel. After moving to Vienna he was faced with the new challenges of composing opera and piano concertos, and significantly the “C Minor Mass” KV 427, the greatest sacred work of the first Vienna years, remained unfinished. The last period of his life again shows a change of direction to church music: Mozart successfully applied to succeed the terminally ill Leopold Hoffmann as Kapellmeister at St Stephen's Cathedral, but he was unable to take up the position as he died before Hoffmann. A gem such as the “Ave verum” KV 618 and the incomplete Requiem KV 626 give us an idea of what Mozart might have achieved as a composer of sacred music if he had taken up this important position. Personal details

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