Camille Saint-Saëns / Léon Roques (arr.) Messe à quatre voix

Arrangement for soli, choir and 1-2 organs op. 4, 1856

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Among the sacred works by Saint-Saëns there are just two settings of the mass: the Messe de Requiem op. 54 from his middle period (1878), and the Mass op. 4 dating from 1856. This was first performed on 21 April 1857. 

As an alternative to the original version with large orchestra and Grand Orgue, Carus-Verlag also published the version for organ made by Saint-Saëns’s contemporary Léon Roques. It contains the original part for grand orgue as well as an organ arrangement of the orchestral writing in score notation, but also provides for the possibility of a performance with just one instrument. The vocal parts (for soloists and choir) are identical with the edition of the original version (Carus 27.060/00), so that the vocal score (Carus 27.060/03) and chorus score (Carus 27.060/05) of that version can be used.

Original versionArrangement for organ

Soli SATB, Coro SATB, 2 Fl, 2 Eh, 2 Tr, 3 Trb, 2 Vl, Va, Vc, Cb, Arpa, Org, Org ripieno

Soli SATB, Coro SATB, Org, Org ripieno
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Score, Arrangement for choir and 1-2 organs Carus 27.060/45, ISMN 979-0-007-24101-8 72 pages, DIN A4, paperback
available
49,00 € / copy
Digital text (without sheet music) incl. printing licence, html file, singing text, german translation Carus 27.060/00-350-000
available
3,00 € / copy
Digital text (without sheet music) incl. printing licence, html file, singing text, english translation Carus 27.060/00-360-000
available
5,00 € / copy
Digital text (without sheet music) incl. printing licence, html file, singing text, original Carus 27.060/00-380-000
available
3,00 € / copy
Additional product information
  • Camille Saint-Saëns was a true multi-talent. He was a pianist, conductor, organist, musicologist, music teacher and composer and became famous above all for the Carnival of the Animals and the opera Samson et Dalila.
    He composed his Symphony in A major at the age of 15 and was accepted to the University of Paris at the age of 16. Saint-Saëns studied piano, organ and composition at the Paris Conservatoire and became organist of Saint-Séverin in Paris in 1852. In the same year, he also met Franz Liszt, who subsequently exerted an influence on Saint-Saëns' compositional work. A year later, he celebrated his musical debut as a composer. The opera Samson et Dalila, which premiered in Weimar in 1877, brought him lasting success in opera houses to this day. His Christmas oratorio Oratorio de Noël, which is available from Carus-Verlag, is probably the best-known of his sacred works. Personal details

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Frequent questions about this work

The arrangement requires 1-2 organs. Is much lost if, in fact, only one organ is available?

No, not at all. In the arrangement, the main organ has the same solo function as in the original and remains unaltered. However, the role of the small organ is considerably enhanced compared with the original version; it contains an organ reduction of the orchestra. But as before, there are just a few measures in which both organs play, the part can also be performed on one organ. For these measures the Carus organ version contains performance suggstions.
Yes. The organ arrangement by Saint-Saëns’ contemporary Léon Roques contains very few registration details, and these have naturally been included in the Carus edition. In addition, in the organ part we have noted which instruments play the respective parts in the original, so that organists can use the possibilities offered by their instrument in the part without having to consult the full score again.
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