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Cari amici

Commemorative publication

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Book Carus 24.056/00, ISBN 978-3-923053-53-7, ISMN 979-0-007-10128-2 128 pages, DIN A4, paperback
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  • Prof. Dr. R. Larry Todd ist Arts & Sciences Professor of Music, Duke University, Durham. Bei Carus hat er zahlreiche Werke von Mendelssohn herausgegeben, darunter die Oratorien Elias, Paulus sowie Christus. Seine bei Carus in deutscher Sprache erschienene Mendelssohn-Biografie ist zumStandardwerk für Forschung und Mendelssohn-Fans geworden.

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  • Frieder Bernius’s work has earned great worldwide recognition. He is in demand internationally as a conductor and as a teacher. His principal artistic collaborators are the ensembles he founded himself, the Kammerchor Stuttgart, the Barockorchester Stuttgart, the Hofkapelle Stuttgart and the Klassische Philharmonie Stuttgart. As a guest conductor, he has collaborated repeatedly with, for example, the SWR Vokalensemble Stuttgart, the Deutsche Kammerphilharmonie Bremen, the Stuttgarter Kammerorchester and the Streicherakademie Bozen. Great stylistic versatility is Frieder Bernius’s hallmark. Whether he conducts vocal works by Monteverdi, Bach, Händel, Mozart, Beethoven, Fauré and Ligeti, stage music by Mendelssohn or symphonies by Haydn, Burgmüller and Schubert, his work always aims for a sound that is at once unmistakably personal and at the same time oriented towards the original period sound ideal. He devotes himself equally to the rediscovery of 18th century operas and to first performances of contemporary compositions. He is particularly interested in the musical history of southwestern Germany. Carus-Verlag has awarded Frieder Bernius a Golden CD for his complete recording of the sacred music of Felix Mendelssohn Bartholdy. The award was presented to him during the German Choir Festival in Stuttgart 2016. The sale of over 250,000 recordings, which has been acclaimed with a number of awards, has made a not insignificant contribution to what today is the obvious presence of Mendelssohn's complete œuvre in the concert repertoire. Personal details
  • Peter Thalheimer studied recorder, flute (with Prof. Hartmut Strebel) and school music in Stuttgart. He completed his musicological studies with a doctorate at the Eberhard-Karls-Universität of Tübingen. He has taught in Nuremberg since 1978, and is currently professor of historical performance practice and recorder/transverse flute at the Hochschule für Musik Nuremberg. Concerts, radio and recording productions, courses and lectures he has given have taken him throughout Europe and the USA. In addition, his work has resulted in numerous music editions, as well as publications on performance practice, the study of instruments and on woodwind technique. An extensive collection of historical and modern flutes and recorders forms the basis for this work. Personal details
  • Karl Michael Komma, born 24 December 1913 in Asch (Bohemia), died 2012 in Memmingen. Pupil of W. Fortner (composition), F. Langer (piano), G. Szell (conducting) and G. Becking (musicology), among others. 1940 Director of the Reichenberg Music School. 1954 lecturer in music history at the State University of Music in Stuttgart, from 1960 professor of composition, music theory and music history. After his retirement in 1978, he continued as a lecturer in church music history until 1988, with a lively activity as a composer, organist, chamber music and song accompanist and lecturer. In Reutlingen, he rendered outstanding services to the ‘Württemberg Philharmonic Orchestra’ and the music school. He founded the ‘Gesellschaft der Musikfreunde’ and the ‘Musica nova’ series, which he also directed for two decades. Personal details
  • Matthias Kreuels studierte Schulmusik, Instrumentalpädagogik, Klavier und Kirchenmusik in Köln. Später war er unter anderem als Rektor der Katholischen Hochschule für Kirchenmusik St. Gregorius in Aachen tätig. Personal details

Reviews

Cari amici

Cari amici. Festschrift 25 Jahre Carus-Verlag

In 19 Beiträgen kommen die Vertreter all der Gruppierungen zu Wort, die gedruckte Noten für Beruf und Hobby brauchen und diese in den gewohnt vorzüglichen Ausgaben des Carus-Verlages finden, denn sie haben in Herrn Graulich und seiner unermüdlich mitarbeitenden Gattin die besten Anwälte, die vor allem aus der aktiven Musikszene herausspüren, was gebraucht wird, sei es der Urtext eines großen Werkes, seien es Chor-Einzelausgaben oder besonders z. B. Chorsammlungen für den praktischen Gebrauch der Kirchenchöre, aber auch Spiel- und Singmusiken für Kinder und was sonst noch alles. Wer diese Festschrift studiert und dazu den Gesamtkatalog des Stuttgarter Hauses, der weiß, was ein Viertel Jahrhundert einer Verlagsarbeit sein können und sind.

Dr. Franz A. Stein
Quelle: Musica Sacra 5/1997, S. 519

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