Whatever God ordains is right
Cantata for the 21st Sunday after Trinity BWV 98, 1726
The song “Was Gott tut, das ist wohlgetan” (Whatever God ordains is right) appears three times as the opening movement of a Bach cantata, namely in BWV 98-100. While BWV 99 and 100 are chorale cantatas, the subsequent free poetry in BWV 98 (composed for the 21st Sunday after Trinity) is by an author only identified a few years ago as the Leipzig student Christoph Birkmann. After the opening chorus, the text turns from sorrow (Recitative 1) to the exhortation “Hört, ihr Augen, auf zu weinen” (Cease now, eyes, from all your weeping) (Aria 1) to confidence “Gott hat ein Herz, das des Erbarmens Überfluss” (God has a heart that always is compassionate) (Recitative 2) to the confession “Meinen Jesum lass ich nicht” (Never will I leave my Lord), which Bach sets as an aria featuring (embellished) chorale quotations, so that a final chorale is omitted. Apart from the string ensemble, Bach only asks for 2 oboes and taille (English horn); oboe 2 and taille are merely there to reinforce the choir in the first movement.
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Composer
Johann Sebastian Bach
| 1685-1750Johann Sebastian Bach is one of the most important composers of Western music history. He came from a widely ramified musical dynasty, which produced numerous musicians and organists in the Thuringian-Saxon area.
Bach vocal
Ever since Carus-Verlag was founded in 1972, publishing the music of Johann Sebastian Bach has been a special focus for us. In the 2017 Reformation anniversary year we completed the Bach vocal project. Bach's complete sacred vocal works are now available in modern Urtext editions, together with performance material. A complete edition of all the full scores is also available in a high quality box set. Personal details
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Editor
Reinhold Kubik
| 1942-2024
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Continuo realization
Paul Horn
| 1922-2016Paul Horn war ein deutscher Kirchenmusiker, Organist, Komponist und Musikwissenschaftler. Er studierte Kirchenmusik und Orgel an der Evangelischen Kirchenmusikschule Esslingen am Neckar bei Hans-Arnold Metzger und Musikwissenschaft, Theologie und Geschichte an der Universität Tübingen. Seine berufliche Laufbahn begann als Kantor an der Evangelischen Michaelskirche in Stuttgart-Degerloch. 1954 wurde er Kantor an der Evangelischen Stadtkirche Ravensburg, eine Position, die er bis zu seiner Pensionierung innehatte. Als Musikwissenschaftler arbeitete Horn bis ins hohe Alter eng mit Carus zusammen. So stammen zahlreiche Carus-Klavierauszüge aus seiner Feder. Personal details
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Translator
Jutta Wicker