Leopold Mozart: Beata es, Virgo Maria - Sheet music | Carus-Verlag

Leopold Mozart Beata es, Virgo Maria

Offertorium de Beata Maria Virgine 0um 1760

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In the 17th and 18th centuries, Salzburg, where Leopold Mozart was Assistant Court Music Director, was a center for polyphonic Offertory settings and multimovement offertory concerti, which developed into a main genre of Catholic liturgical music in the south German region.The Salzburg Cathedral seems an obvious choice, which the "solemn" orchestration with trumpets and timpani would support.
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Full score Carus 27.289/00, ISMN 979-0-007-09098-2 24 pages, DIN A4, paperback
available
11,50 € / copy
Vocal score Carus 27.289/03, ISMN 979-0-007-11245-5 8 pages, DIN A4, without cover
available
4,50 € / copy
Set of parts, separate instruments Carus 27.289/09, ISMN 979-0-007-20103-6 6 pages, 23 x 32 cm, without cover
available
7,00 € / copy
  • 3 x Individual part, trumpet 1 and 2 / timpani (27.289/31)
    each: 3,10 €
Set of parts, complete orchestral parts Carus 27.289/19, ISMN 979-0-007-20107-4 23 x 32 cm, without cover
available
57,00 € / copy
  • 1 x Set of parts, separate instruments (27.289/09)
    each: 7,00 €
    5 x Individual part, violin 1 (27.289/11)
    each: 4,00 €
    5 x Individual part, violin 2 (27.289/12)
    each: 4,00 €
    5 x Individual part, violoncello / double bass (27.289/13)
    each: 4,00 €
Vocal score digital (download), pdf file Carus 27.289/03-010-000, ISMN 979-0-007-34740-6 8 pages
available
4,50 € / copy
Set of parts digital (download), zip file, pdf file, separate instruments Carus 27.289/09-010-000, ISMN 979-0-007-39199-7 6 pages, 23 x 32 cm Provisionally available from 06/2026
  • 3 x Individual part digital (download), pdf file, trumpet 1 and 2 / timpani (27.289/31-010-000)
     
Individual part digital (download), pdf file, violin 1 Carus 27.289/11-010-000, ISMN 979-0-007-39200-0 4 pages, 23 x 32 cm
available
15,00 € / copy
Individual part digital (download), pdf file, violin 2 Carus 27.289/12-010-000, ISMN 979-0-007-39201-7 4 pages, 23 x 32 cm
available
15,00 € / copy
Individual part digital (download), pdf file, violoncello / double bass Carus 27.289/13-010-000, ISMN 979-0-007-39202-4 4 pages, 23 x 32 cm
available
15,00 € / copy
Set of parts digital (download), zip file, pdf file, complete orchestral parts Carus 27.289/19-010-000, ISMN 979-0-007-39203-1 23 x 32 cm
available
57,00 € / copy
  • 5 x Individual part digital (download), pdf file, violin 1 (27.289/11-010-000)
    each: 15,00 €
    5 x Individual part digital (download), pdf file, violin 2 (27.289/12-010-000)
    each: 15,00 €
    5 x Individual part digital (download), pdf file, violoncello / double bass (27.289/13-010-000)
    each: 15,00 €
    1 x Individual part digital (download), pdf file, trumpet 1 and 2 / timpani (27.289/31-010-000)
    each: 15,00 €
Individual part digital (download), pdf file, trumpet 1 and 2 / timpani Carus 27.289/31-010-000, ISMN 979-0-007-39204-8 2 pages, 23 x 32 cm
available
15,00 € / copy
  • Johann Georg Leopold Mozart was born in 1719 to a respectable Augsburg family. He received his basic musical and humanistic education at the St. Salvator Jesuit College in Augsburg. In 1737 he went to Salzburg to study philosophy and law at the Benedictine University. He was hired into the service of Johann Baptist, Count of Thurn-Valsassina and Taxis, as valet and musician in 1740 at the latest. In the fall of 1743 he obtained a position as the fourth violinist in the Court Orchestra of the Princely Archbishop of Salzburg. He took over violin instruction at the Kapellhaus in 1756 and, in 1758, moved up to the position of second violinist. In 1763, following the death of the Court Music Director, Johann Eberlin, and the appointment of Giuseppe Lolli as his successor, he advanced to Assistant Court Music Director. However, his lifelong desire to become Music Director of the Court Orchestra was never fulfilled. After Wolfgang moved to Vienna in 1781, Leopold Mozart led a reclusive life in the so-called “dancing master’s” house (“Mozart’s House” on Makartplatz today), dedicated himself to teaching and, in his final years, to raising his grandson. Leopold Mozart died in Salzburg on 28 May 1787. Personal details
  • Armin Kircher studied church music at the Mozarteum in Salzburg. Until his death he was Director of the Church Music Department of the Archdiocese of Salzburg, and since 1992 he had been administrative director of the Österreichische Werkwoche für Kirchenmusik (Austrian Week for Church Music). He was also Director of Music at St Peter's Abbey, Salzburg and organist at the Cajetan Church in Salzburg. The collections he edited for the Catholic liturgy have become established standard works, in particular the choral collections Chorbuch Mozart • Haydn, the Chorbuch Kirchenjahr (Choirbook for the Church Year) and publications for organ and choir for the new Catholic hymnbook Gotteslob. Armin Kircher also made a name as an arranger of beautiful settings for choir and organ. Personal details
  • Paul Horn war ein deutscher Kirchenmusiker, Organist, Komponist und Musikwissenschaftler. Er studierte Kirchenmusik und Orgel an der Evangelischen Kirchenmusikschule Esslingen am Neckar bei Hans-Arnold Metzger und Musikwissenschaft, Theologie und Geschichte an der Universität Tübingen. Seine berufliche Laufbahn begann als Kantor an der Evangelischen Michaelskirche in Stuttgart-Degerloch. 1954 wurde er Kantor an der Evangelischen Stadtkirche Ravensburg, eine Position, die er bis zu seiner Pensionierung innehatte. Als Musikwissenschaftler arbeitete Horn bis ins hohe Alter eng mit Carus zusammen. So stammen zahlreiche Carus-Klavierauszüge aus seiner Feder. Personal details
  • Paul Horn war ein deutscher Kirchenmusiker, Organist, Komponist und Musikwissenschaftler. Er studierte Kirchenmusik und Orgel an der Evangelischen Kirchenmusikschule Esslingen am Neckar bei Hans-Arnold Metzger und Musikwissenschaft, Theologie und Geschichte an der Universität Tübingen. Seine berufliche Laufbahn begann als Kantor an der Evangelischen Michaelskirche in Stuttgart-Degerloch. 1954 wurde er Kantor an der Evangelischen Stadtkirche Ravensburg, eine Position, die er bis zu seiner Pensionierung innehatte. Als Musikwissenschaftler arbeitete Horn bis ins hohe Alter eng mit Carus zusammen. So stammen zahlreiche Carus-Klavierauszüge aus seiner Feder. Personal details

Reviews

Salzburg war im 17. und 18. Jahrhundert ein Zentrum der Pflege mehrstimmiger Offertoriumsvertonungen und des mehrsätzigen Offertorienkonzertes. Diese Formtypen entwickelten sich im süddeutschen Raum zu einer eigenständigen Gattung - ähnlich den klassischen Ordinariumsvertonungen. In Salzburg war Leopold Mozart, viele Jahre Vizekapellmeister in der fürsterzbischöflichen Hofkapelle. Die Bestimmung des Offertoriums für den Salzburger Dom scheint naheliegend, wofür die "solemne" Besetzung mit Trompeten und Pauken spricht. [...] Herrliche Musik, die sich mit relativ wenig Aufwand zu vielen Ordinariumsvertonungen der Salzburger Klassik kombinieren lässt.

Quelle: Singende Kirche 2007/2

 

 

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