Transcriptions
Contents
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Composer
Clytus Gottwald
| 1925-2023The choral conductor, composer and musicologist Clytus Gottwald (1925 - 2023) made significant contributions to contemporary choral music. As editor for New Music at Südfunk Stuttgart and founder and director of the Schola Cantorum Stuttgart, he was in productive exchange with his contemporaries, Pierre Boulez, Mauricio Kagel, György Ligeti, Luigi Nono, Karlheinz Stockhausen and many others. With his Schola Cantorum, a 16-voice chamber vocal ensemble, Gottwald decisively shaped the a cappella choral culture of the highest technical level that is taken for granted today. Clytus Gottwald's transcriptions of piano songs and instrumental pieces for unaccompanied choir are appreciated by choirs all over the world. Modelled on the style of Ligeti, his works set the highest of musical standards. Clytus Gottwald has received several awards for his services, including the Cultural Prize of Baden-Württemberg in 2009, the European Church Music Prize in 2012, and the Cross of Merit of the Federal Republic of Germany in 2014. His importance for the development of contemporary choral music cannot be overestimated. Personal details
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Preface writer
Clytus Gottwald
| 1925-2023The choral conductor, composer and musicologist Clytus Gottwald (1925 - 2023) made significant contributions to contemporary choral music. As editor for New Music at Südfunk Stuttgart and founder and director of the Schola Cantorum Stuttgart, he was in productive exchange with his contemporaries, Pierre Boulez, Mauricio Kagel, György Ligeti, Luigi Nono, Karlheinz Stockhausen and many others. With his Schola Cantorum, a 16-voice chamber vocal ensemble, Gottwald decisively shaped the a cappella choral culture of the highest technical level that is taken for granted today. Clytus Gottwald's transcriptions of piano songs and instrumental pieces for unaccompanied choir are appreciated by choirs all over the world. Modelled on the style of Ligeti, his works set the highest of musical standards. Clytus Gottwald has received several awards for his services, including the Cultural Prize of Baden-Württemberg in 2009, the European Church Music Prize in 2012, and the Cross of Merit of the Federal Republic of Germany in 2014. His importance for the development of contemporary choral music cannot be overestimated. Personal details
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Ensemble
SWR Vokalensemble Stuttgart
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Conductor
Marcus Creed
The conductor Marcus Creed was born and grew up on the south coast of England. He began his studies at King’s College in Cambridge, where he had the opportunity to sing in the famous King’s College Choir. Further studies took him to Christ Church in Oxford and the Guildhall School in London. Marcus Creed moved to Berlin in 1977. Stations in his professional career have been the Deutsche Oper Berlin and the Hochschule der Künste, as well as the Gruppe Neue Musik and the Scharoun Ensemble. From 1987 to 2001, Marcus Creed was artistic director of the RIAS-Kammerchor. In 1998, he accepted a professorship for conducting at the Musikhochschule in Cologne. Marcus Creed has been artistic director of the SWR Vokalensemble Stuttgart since 2003. His particular objective with this ensemble has been to make renewed performances of outstanding compositions from the recent past, including, for example, works by Luigi Nono, György Kurtág, Wolfgang Rihm or Heinz Holliger. Marcus Creed is regularly invited to international festivals for both early music and new music and he regularly collaborates with the Akademie für Alte Musik Berlin, the Freiburger Barockorchester and Concerto Köln. His CD releases have won international awards for their stylistically sure and acoustically sensitive interpretations. Among others, he has been awarded the German Record Critics’ Award, the Edison Award, the Diapason D’Or, the Cannes Classical Award, and the Echo Classic Prize. Personal details
Reviews
Untitled Document
Marcus Creed gilt nicht umsonst als einer der begabtesten Chordirigenten weltweit. Die Höhenflüge, zu denen er das mit 36 Solisten brillant besetzte SWR-Vokalensemble inspiriert, dürften schwerlich einzuholen, geschweige denn zu übertreffen sein. Die zum Teil haarsträubenden stimmtechnischen Anforderungen Gottwalds sind kaum je als Belastung hörbar - die Musik kommt hier ganz zu sich selbst, wird reiner, schwereloser Ausdruck.
Quelle: WDR3 Hörzeichen, 12.2.2007
[...] Clytus Gottwalds Transkriptionen haben im SWR-Vokalensemble einen würdigen Partner gefunden. Ein schier phantastischer Chor, bei dem man alles findet, was man bei Chören nicht selten vergeblich sucht: Ein stets schlanker, transparenter Klang, der aber auch klangliche Explosionen keineswegs scheut. Niemals verwirbeln sich die polyphon geführten Stimmen in einem hallig-wohligen Einheitsbrei, jede Stimme ist hörbar. Unglaublich, mit welcher Präsenz an einigen Stellen der erste Sopran hervortritt und schier unmögliche Höhen wie selbstverständlich meistert -das gelingt besonders eindrucksvoll in Mahlers ,Ich bin der Welt abhanden gekommen' - bei einer Live-Aufnahme, fast unvorstellbar!
Gordon Kampe
Quelle: klassik.com, 14.7.2007
[...] Ende des 19. Jahrhunderts versuchte Richard Strauss, den Chor auf eine spezifische Klanglichkeit hin zu entwickeln, indem er die Singstimmen quasi "orchestrierte". Erst in den 1960er Jahren griff György Ligeti diese Chortechnik in seinem "Lux aeterna" wieder auf. Hier versuchen diese Transkriptionen anzuknüpfen: indem sie diese Technik auf Modelle der romantisch-impressionistischen Epoche anwenden. Die klangprächtigen, für vielfach geteilten Chor gesetzten Transkriptionen - alle noch dazu meisterhaft umgesetzt vom SWR Vokalensemble Stuttgart unter Marcus Creed - rücken die im Original meist bekannten Werke (u.a. von Berg, Wagner und Mahler) in ein völlig neues, aufregendes Licht.
Quelle: Chor aktuell, Sept. 2007
[...] Auch wie Gottwald die Unterlegung von Texten zu reiner Instrumentalmusik gelingt, das zeugt von großer Meisterschaft und schlicht von gutem Geschmack - nach der Art, wie Arnold Schönberg ihn immer forderte. [...]
Gordon Kampe
klassik.com, 14.07.2007